There were a lot of social issues in the US during that time period. She even felt compelled to make Cora’s lover a German immigrant who was interred by the US government during WWI. Here it is:Ĭhild molestation (by a Sunday school teacher, of course)īirth control (the author even worked a couple of references to Margaret Sanger) It became so bad that I made a little game out of trying to keep a list of all the social injustices she tried to weave in. She awkwardly wrote in little vignettes, like some of Cora’s contemporaries trying to ban drug stores from displaying condoms, that were out of place and didn’t advance the story. The author tried to pack in so much about the social issues of the time that it began to detract from the storyline. Preaching to me is a surefire way to turn me off. The book lost my interest around the halfway mark, when the author started to get too preachy. For the trip to NYC, the author crafts a story with a lot of tension – tension between Cora and dreadful Louise and tension between Cora and her own moral code. The parts about her childhood are well done and the author provides enlightening information about life as an orphan at the turn of the century. Although she was happy with her adopted family, she really wanted to know more about her roots.ĭuring the first part of the book, the author jumps back and forth between Cora’s childhood and her trip back to NYC as an adult. She spent the first six years of her life in a NYC orphanage, until an orphan train delivers her to a family in Kansas. Cora’s motive for going on the trip is so she can try to find out about her birth parents. Louise is a precocious and selfish teenager who goes to NYC to study with a famous dance company and would go on to be a silent film star (in real life). Cora Carlisle is a Wichita housewife who is given the opportunity to chaperone 16-year-old Louise Brooks on a month long trip to New York City during the 1920’s.
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